In Florence, of course, we have to visit the Uffizi. Aware of the crowds, the queues, the need to book, we have organised our tickets online. However, that does not mean an easy stroll into the gallery.
No. We arrive well ahead of pick-up time and work out which of the several queues is ours. Turns out we have to go across the way to the other building so we can turn our printed voucher into printed tickets. That done, we may proceed to the next queue and, after various security procedures, enter the museum. So, book ahead and earn shorter queues. Still, there are compensations. We fell into conversation with a young woman in front of us during queue number one. She is an American, who speaks Italian, working here as a guide, between art history degrees.
We talk about the difficulties of being single language barbarians abroad, and how next time (yeah right) we must study the language before leaving home. She has learned Italian to help her art history studies. Soon she will move to Chicago to begin a doctoral programme. Meanwhile, she lives in Rome and educates other single language barbarians like us (well, currently 13 college students from Michigan), as they take in the sights.
We talk of the different accents and dialects around the country, and she tells us there are Roman words and phrases that would be unacceptable in Firenze.
-- If I said those things here someone would probably punch me in the face, she says.
Suddenly we are at the front of the queue and the time seems to have been well spent. We wish her well - and she us - and we will never see her again.
We do see quite a few paintings and sculptures in the Uffizi, though. I suppose the Botticellis are the highlight for me. Certainly the bloody tour groups aren't. Geoff is now a winning partner in derby style pair blocking (still no elbows allowed) as we navigate the mobs. We may only speak the one language but at least we're not being herded around the city like sheep, following umbrellas, flags, flowers, sticks of various kinds... We also saw paired visitors strung together by their shared audioguides. I can't see that working for us either ;)
Actually, another highlight was a cool painting of Leda with a very old and lecherous looking swan (can't remember by whom), and her babies hatching from eggs. I hoped to see it as a postcard or similar in the shop, but no such luck. No photos allowed at the Uffizi - hence the boring blog with only one picture - the merry go round at the piazza della repubblica (between the Duomo and the Uffizi).
No, I didn't have a ride. But I did admire it from afar...
There were a few rain showers today, mostly they happened while we were indoors, or we could take ourselves into a shop or cafe to wait it out. Like Auckland weather, methinks, gets muggier and hotter, then rains and cools down, and then it gets muggier and hotter...
Ok, I'm an idiot. Of course there are pictures (yay interweb) and the artist was Francesco Melzi - after a lost painting by Da Vinci, apparently. Anyway, here it is:
I recommend embiggening it so you can better enjoy the details
Tomorrow, we're off to Siena.